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Emily A. Bernhard Jackson

The Development of Byron´s Philosophy of Knowledge


Certain in Uncertainty
1st ed. 2010. 2010. xi, 229 S. 216 mm
Verlag/Jahr: SPRINGER PALGRAVE MACMILLAN; PALGRAVE MACMILLAN UK 2010
ISBN: 1-349-31196-0 (1349311960)
Neue ISBN: 978-1-349-31196-5 (9781349311965)

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Taking a fresh approach to Byron, this book argues that he should be understood as a poet whose major works develop a carefully reasoned philosophy. Situating him with reference to the thought of the period, it argues for Byron as an active thinker, whose final philosophical stance - reader-centred scepticism - has extensive practical implications.
Acknowledgements List of Abbreviations Introduction Philosophies, Skepticism, and Morals: The Background in Enlightenment Travelling on Stony Ground: Childe Harold I and II and the Beginning of Byronic Knowing Worse than Faithless: Plenitude and the Loss of Knowledge in The Giaour Talking Turkey: Unmasking Knowledge in the Last of the Eastern Tales Travelling on Stormy Seas: Childe Harold III and the Difficulties of Development Knowing on Demand: Staging Knowledge-Claims in Manfred´s ´Mental Theatre´´A lively reader´s fancy does the rest´: Don Juan and the Certainty of Doubt Reckoning Up Notes Works Cited Index
´As a record of philosophical work done in the course of Byron´s poetic career Bernhard Jackson´s book succeeds in reaffirming the exuberance of the poet´s misgivings.´ - TLS

´Bernard Jackson provides a new approach to understanding Bryon´s philosophical development - one that is sympathetic to the poet´s oft-maligned intellectual powers...contributes to larger conversations about the function of poetry and reading in the nineteenth century and provides readers with material for future scholarly investigations of the poet´s skepticism.´ - Review 19
EMILY A. BERNHARD JACKSON is Assistant Professor of Nineteenth-Century British Literature at the University of Arkansas, USA, and a Visiting Fellow at Wolfson College, Cambridge, UK. She has written essays on Byron and on Edmund Spenser, as well as the introduction for the Broadview Anthology of British Literature: The Age of Romanticism.