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Charles Dickens, Mary K. McDevitt, Mark Peppe (Beteiligte)

A Christmas Carol


Mitarbeit: McDevitt, Mary K.; Peppe, Mark
2014. 160 p. w. ill. 7.0000 in
Verlag/Jahr: PENGUIN US; PUFFIN BOOKS 2014
ISBN: 0-14-751289-1 (0147512891)
Neue ISBN: 978-0-14-751289-5 (9780147512895)

Preis und Lieferzeit: Bitte klicken


Ebenezer Scrooge is a mean old man with no place in his heart for others, not even his clerk´s feeble son, Tiny Tim. One freezing cold Christmas Eve, Scrooge is visited by the ghost of an old associate, and they embark on an eerie nighttime journey. The Christmas spirits are here to show Scrooge the error of his nasty ways. By visiting his past, present, and future, will Scrooge learn to love Christmas and those around him?
A new addition to the award-winning, enduring Puffin Classics line, Puffin Chalk is the next wave of classics in children´s literature. With colorful chalk designs that echo the whimsy of childhood, these collectible editions add beauty to the bookshelves of children and classics lovers alike.

ABOUT THE ILLUSTRATOR

MARY KATE MCDEVITT is a letterer and illustrator living and working in Brooklyn, New York. She graduated from the Tyler School of Art with a degree in graphic design and illustration and has worked as a designer, freelance illustrator, and artist. Her work has been featured in Design Sponge, Apartment Therapy, Etsy, and Bust magazine, among many others.

Preface

I have endeavoured in this Ghostly book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their house pleasantly, and no one wish to lay it.

Their faithful Friend and Servant,

C. D.

December 1843

1

Marley´s Ghost

Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge´s name was good upon ´Change, for anything he chose to put his hand to. Old Marley was as dead as a doornail.

Mind! I don´t mean to say that I know, of my own knowledge, what there is particularly dead about a doornail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country´s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a doornail.

Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don´t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnized it with an undoubted bargain.

The mention of Marley´s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet´s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot - say Saint Paul´s Churchyard for instance - literally to astonish his son´s weak mind.

Scrooge never painted out Old Marley´s name. There it stood, years afterwards, above the warehouse door: Scrooge and Marley. The firm was known as Scrooge and Marley. Sometimes people new to the business called Scrooge Scrooge, and sometimes Marley, but he answered to both names: it was all the same to him.

Oh! but he was a tight-fisted hand at the grindstone, Scrooge! a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner! Hard and sharp as flint, from which no steel had ever struck out generous fire; secret, and self-contained, and solitary as an oyster. The cold within him froze his old features, nipped his pointed nose, shrivelled his cheek, stiffened his gait, made his eyes red, his thin lips blue; and spoke out shrewdly in his grating voice. A frosty rime was on his head, and on his eyebrows, and his wiry chin. He carried his own low temperature always about with him; he iced his office in the dog-days; and didn´t thaw it one degree at Christmas.

External heat and cold had little influence on Scrooge. No warmth could warm, nor wintry weather chill him. No wind that blew was bitterer than he, no fal