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A superb narrative of a thousand years of struggle for atheism, rational inquiry and intellectual freedom. Shortlisted for the 2016 Runciman Award.

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How new is atheism?

In Battling the Gods , Tim Whitmarsh journeys into the ancient Mediterranean to recover the stories of those who first refused the divinities.

Long before the Enlightenment sowed the seeds of disbelief in a deeply Christian Europe, atheism was a matter of serious public debate in the Greek world. But history is written by those who prevail, and the Age of Faith mostly suppressed the lively free-thinking voices of antiquity.

Tim Whitmarsh brings to life the fascinating ideas of Diagoras of Melos, perhaps the first self-professed atheist; Democritus, the first materialist; and Epicurus and his followers. He shows how the early Christians came to define themselves against atheism, and so suppress the philosophy of disbelief.

Battling the Gods is the first book on the origins of the secular values at the heart of the modern state. Authoritative and bold, provocative and humane, it reveals how atheism and doubt, far from being modern phenomena, have intrigued the human imagination for thousands of years.

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Tim Whitmarsh´s brilliant new book about ancient atheism makes a compelling case that various forms of religious disbelief have been with us for the past two and a half millennia, with greater and lesser degrees of cultural prominence ... This is an invigorating, urgent book that makes an important contribution to a central contemporary debate. ´ Guardian Emily Wilson

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Tim Whitmarsh is the A. G. Leventis Professor of Greek Culture at Cambridge University. A well-known specialist in the civilisations of ancient Greece and Rome, he has appeared on BBC radio and TV, and written for the Guardian , Times Literary Supplement , London Review of Books and Literary Review .

Tim Whitmarsh is the A.G. Leventis Professor of Greek Culture at Cambridge University. A well-known specialist in the civilisations of ancient Greece and Rome, he has appeared on BBC radio and TV, and written for the Guardian , Times Literary Supplement , London Review of Books and Literary Review .

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