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The young Jane Austen was a precocious reader, devouring pulp fiction and classic literature, both of which she soon began to imitate and parody. Three volumes of her vivacious teenage writing survive. Devices and themes which appear subtly in her later fiction run riot here: drunkenness, brawling, sexual misdemeanour, theft, and even murder.

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´Jane Austen practising´ Virginia Woolf

Three notebooks of Jane Austen´s teenage writings survive. The earliest pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody.

Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer´s eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen´s later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misdemeanour, theft, and even murder prevail.

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...a brilliantly readable [edition]...What is often most engaging and amusing about this bravura writing is Austen´s un-restrained comic mayhem. Francis O´Gorman, Reviews31.co.uk

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Kathryn Sutherland is Professor of Bibliography & Textual Criticism in the University of Oxford. She is the editor of James Edward Austen-Leigh´s Memoir of Jane Austen and Other Family Recollections for Oxford World´s Classics. She has created a digital edition of Jane Austen´s Fiction Manuscripts (2010), the print edition of which is due to be published by OUP in 2017. She is the author of Jane Austen´s Textual Lives: from Aeschylus to
Bollywood (OUP, 2005).

Freya Johnston is University Lecturer and Tutorial Fellow in English at St Anne´s College, Oxford. She is the author of Samuel Johnson and the Art of Sinking, 1709-1791 (2005) and general editor of The Cambridge Edition of the Novels of Thomas Love Peacock (2016 - ).

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