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Between 1986 and 2000, Anthony Cragg´s sculptural oeuvre underwent a signifcant transition. The artist moved from making sculptures using found materials and objects to a more studio-based practice in which the found materials themselves became the subject and content of his sculptures.
This publication begins where the previous volume, "Sculpture 1969-1985" left off. It serves as a guide, aiming to facilitate a better understanding not only of the chronological sequencing
of Cragg´s works, but also of the primary concerns that have in uenced them over time.
Cragg´s sculptures of this period attracted considerable critical interest. Some of the most prominent art
critics of the day engaged with Cragg´s oeuvre, and
a number of their essays have been reprinted here, offering fresh insights into the sculptor´s work.

Texts by : Lewis Biggs, Germano Celant, Lynne Cooke, Demosthenes Dawetas, Catherine Grenier, Thomas Mc Evilley, Peter Schjeldahl, Jon Wood

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