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This third publication dedicated to the artist´s sculpture follows Sculpture 1969-1985 and Sculpture 1986-2000. It guides the reader chronologically through the genesis of Cragg´s most recent works and traces the relationships between them, revealing the artist´s rigorous studio practice.
Cragg built upon his already substantial body of work during this period, and his creative energy and evolution have often been the focus of art criticism. This volume includes essays by Demosthenes Davvetas, Patrick Elliott, Catherine Grenier and Jon Wood that shed new light on the sculptor´s work.

Text: Demosthenes Davvetas, Patrick Elliott, Catherine Grenier, Jon Wood

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