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A dark cloud of remembered pain passes swiftly across the cerulean imperiousness of MAP`s previously untroubled gaze. There`s a sudden shift of focus as the viewer is vouchsafed a vision of some point in time, past or future. What seems like a wheeled camera dolly, carrying the equipment for the making of a film, is descried hurtling through successive anciently dirty and derelict tunnels alternating with gleamingly modern and technologically sophisticated tunnel environments containing people in barely descryable poses and costumes. It`s a journey through MAP`s mind, a MAP mind, rather than a mind map, and a camera dolly hurtles on its wheels until a scene appears of MAP being tortured by Subverters in a Medieval dungeon environment with barbaric implements and machinery that the Subverter personnel familiar from the pictures pinned to the wallspace of the lab are employing.

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Bright, Robin
Robin Bright wrote a doctoral thesis at Hull University, England, `Jungian Archetypes in the work of Robert A. Heinlein`, 1992, which was published in 2018 as Self Begetting Ouroboros: The Science Fiction of Robert A. Heinlein. SF writer, ´All For Naught Orphan Ufonaut´ in Shelter of Daylight, Sam´s Dot Publishing, 2010.

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