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The series presents historical and systematic studies on the philosophy of Alexius Meinong and his school, as well as on works influenced by aspects of Meinong´s philosophy. Furthermore, the series is open to contributions in the analytic-phenomenological tradition, mirroring the most recent developments in these disciplines.

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This is the first volume devoted to the aesthetics of the Graz school. V. Raspa´s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek´s aesthetics in its historical context. Ö. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. P. Mahr asks if object-theoretical aesthetics is possible at all. M. Potrc and V. Strahovnik concentrate on Veber´s aesthetic judgment. N. Dolcini deals with the migration of ficta, and F. Orilia with words and pictures in fictional stories.

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Venanzio Raspa is Professor of Theoretical Philosophy at the Philosophical Institute at the University of Urbino, Italy.

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