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During the late 1980s and early 1990s, a discourse of masculinity crisis precipitated the appearance of a number of what Susan Jeffords describes as rearticulations of screen masculinity, which influenced the production of a group of films whose narrative diegeses reaffirmed the heteronormative, hypermasculine fa‡ade onscreen. These films are identified and defined in this book as remasculation pictures, or narratives that showcase the hero s oscillation between two oppositional expressions of screen masculinity. In the rhetoric of the remasculation film, the protagonist s emasculation initiates a quest to remasculate by reaffirming the dominance and authority of the hypermasculine archetype.

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With a background in English Literature, Adam Miller obtained his Ph.D. in Communications and Culture with a specialty in Cinema Studies at York and Ryerson Universities in Toronto, Canada. As a professor at Sheridan College, Humber College, and Ryerson University, Adam continues his work in Film Studies.

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