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Fictional or real, pirates haunted the imagination of the 18th and 19th century-British public during this great period of maritime commerce, exploration, and naval conflict. British Pirates in Print and Performanc e explores representations of pirates through dozens of stage performances, including adaptations by Byron, Scott, and Cooper.

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Introduction: Striding the Deck, Strutting the Stage 1. A Nation of Pirates 2. Pirates on Stage 3. Byron´s The Corsair 4. Scott´s The Pirate 5. Cooper´s The Pilot and The Red Rover 6. Pirate Sex 7. She-Pirates 8. Pirate Clichés Appendix: Chronology of Pirate Plays in Britain

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"A fascinating exposition of piracy on deck and piracy on stage where art imitates life and life imitates art in the performative lives of famous male and female pirates and actors from the seventeenth through the nineteenth centuries, with a few glimpses into the present world of Disney movies and swashbuckling computer games. A widely-research, influential study immersed in cultural, historical, and theoretical contexts brings new light to the piratical works of Byron, Scott, and James Fenimore Cooper, as well as to novel themes of piracy and slavery, sexualities, rogue egalitarianism, and wildish justice. A good read!" - Richard Matlak, English Department, College of the Holy Cross, USA

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Manushag N. Powell is Associate Professor of English and a University Faculty Scholar at Purdue University, USA.

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