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Sid Grossman and his photographs were largely forgotten after his untimely death in 1955 at the age of forty-two. One of the founders of the left-leaning Photo League (1936-51), Grossman was labeled a Communist and blacklisted in 1949. A demanding and capricious teacher who challenged his students to think critically about all aspects of their photography, Grossman´s own approach to image-making and his remarkable body of work were constantly evolving. This monograph, the first comprehensive survey of Sid Grossman´s life and work, contains more than 150 photographs that demonstrate Grossman´s enduring talent and depth. The images range from his early social documentary work of the late 1930s to the more personal and dynamic street photography of the late 1940s, as well as late

experiments with abstraction in both black and white and color. It features a biographical and critical essay by the renowned curator and photo historian, Keith F. Davis, which traces Grossman´s evolution as a photographer and examines his considerable influence as a teacher. The book concludes with an extensive selection of excerpts from a transcript of tape recordings of a course that Grossman taught in the spring of 1950 in which he expounds his views on photography, art, and creativity.

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Sid Grossman was born in New York in 1913. In 1938, Grossman and his friend Sol Libsohn co-founded the New York Photo League, a left-leaning, socially conscious photographers´ cooperative and school. Grossman´s early photography was very much in the social documentary tradition, while his work began to evolve into a more personal and dynamic style during World War II. These changes came to fruition in his best-known photographs made in the late 1940s - images of New York´s Little Italy and Coney Island. Photographing at a very close distance and using blur and off-kilter compositions, his images are a precursor to the work of many better-known street photographers of the 1950s and ´60s. Grossman died of a heart attack in 1955.

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