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The celebrated critic and film scholar Annette Michelson saw the avant-garde filmmakers of the 1950s and 1960s as radically redefining and extending the Modernist tradition of painting and sculpture, and in essays that were as engaging as they were influential and as lucid as they were learned, she set out to demonstrate the importance of the underappreciated medium of film. On the Eve of the Future collects more than thirty years´ worth of those essays, focusing on her most relevant engagements with avant-garde production in experimental cinema, particularly with the movement known as American Independent Cinema. The postwar generation of Independents worked to develop radically new terms, techniques, and strategies of production and distribution. Michelson shows that the fresh new forms they created from the legacy of Modernism became the basis of new forms of spectatorship and cinematic pleasure

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Annette Michelson is Professor Emeritus in the Department of Cinema Studies at New York University. A founding editor of the journal October, she has written on art and cinema for more than five decades. Rachel Churner is a writer, curator, and doctoral candidate in Art History at Columbia University. From 2011 to 2014, she owned and operated the New York gallery Churner and Churner.

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