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In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element - that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force.

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Joanna Zylinska is Professor of New Media and Communications at Goldsmiths, University of London. She is the author of Bioethics in the Age of New Media and the coauthor (with Sarah Kember) of Life After New Media: Mediation as a Vital Process, both published by the MIT Press.

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