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Joseph Beuys is arguably the most important and most controversial German artist of the late twentieth century, not least because his persona is interwoven with Germany´s fascist past. This book illuminates two defining threads in Beuys´s life and art: the centrality of trauma, and his sustained investigation of the very notion of art itself. In addition to the materials of fat and felt that Beuys used widely in his oeuvre, numerous Beuys artworks are autobiographical in content.

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