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The vast array of sculptural work made by Andy Warhol between 1954 and 1987 reveals a major, but overlooked aspect of his oeuvre.

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Rain machines; alarmed kosher pickle jars filled with gemstones; replica corn flakes boxes; ´disco decor´; time capsules; art bombs; birthday presents; perfume bottles and floating silver pillows that are clouds; paintings that are also films; museum interventions; collected and curated projects; expanded performance environments; holograms. This is a book about the vast array of sculptural work made by Andy Warhol between 1954 and 1987 - a period that begins long before the first Pop paintings and ends in the year of his death. In 3D Warhol, Thomas Morgan Evans argues that Warhol´s engagement with sculpture, and traditional notions of sculpture, produced ´trespasses´, his sculptural work bisected the expectations, allegiances and values within art historical, and ultimately social sites of investitute (or territories). This groundbreaking, original book brings to the forefront a major, but overlooked aspect of Warhol´s oeuvre, providing an essential new perspective on the artist´s legacy.

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Introduction: Portraits
Chapter One: Locating the Sculptural
Chapter Two: ´Sublime but compulsive negation´: Brillo Boxes
Chapter Three: Atmosphere
Chapter Four: The Artwork Across the Street
Chapter Five: A Waste of Space
Conclusion

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The value of the sourcebook is considerable for those interested in the philosophical development and historical practice of the IWMA. Marx & Philosophy Society

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