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Postcolonial science fiction reimagines the future in light of the experiences of those who survived oppression and colonisation. Australian Aboriginal fiction writers offer a contribution to this genre. This study, the first of its kind, analyses selected texts as examples of postcolonial science fiction that construct alternative future worlds.

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This is the first study that brings together the theory of the fantastic with the vibrant corpus of Australian Aboriginal fiction on futurities. Selected works by Ellen van Neerven, Sam Watson, Archie Weller, Eric Willmot and Alexis Wright are analysed as fictional prose texts that construct alternative future worlds. They offer a distinctive contribution to the relatively new field of non-mainstream science fiction that has entered the critical domain of late, often under the title of postcolonial science fiction. The structures of these alternative worlds reveal a relationship - sometimes straightforward, sometimes more complex - with the established paradigms of the genre. The novelty of their stories comes from the authors´ cultural memory and experience of having survived the "end of the world" brought about by colonisation. Their answers to our futurity contain different novums that debunk the myth of progress in order to raise the issue of a future without a human face.

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CONTENTS: In Search of the Australian Fantastic - The Fantastic as a Terminological Trickster - The Postcolonial Turn and the Fantastic - Below the Line : A SF Novel of (Double) Invasion - "Water": The SF Alien as a Metaphor for Culture - Land of the Golden Clouds : An Epic Space of Science Fantasy and Fantastika - The Kadaitcha Sung : Towards Native Slipstream - The Swan Book : Into Transrealist Fiction - The Future Arrives.

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Iva Polak is Assistant Professor in English Literature at the University of Zagreb, Croatia. She has lectured on Australian Aboriginal literature in Croatia, the Czech Republic, Australia and Japan and has published widely in the field, including a monograph on the development of Australian Aboriginal fiction (2011). She has received two Endeavour Research Fellowships (Curtin University, WA, 2006; University of Adelaide, SA, 2014). Her current interests include new developments in the fantastic and humour studies.

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