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Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity.

Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.

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"Anyone who is interested in drawing up a global typology of the song object will be applying the theoretical basis established by De Surmont."-Etienne Galarneau, Intersections: Canadian Journal of Music, vol. 34 n° 1-2, 2014

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Jean Nicolas De Surmont is a researcher in metalexicography and the author of many books on the French and Quebec song. Having graduated from Laval University (Québec) in literature and sociology, he completed his PhD at Paris-X Nanterre. He speaks at numerous conferences and conventions around the world and has authored more than a hundred articles and critical reviews published in more than thirty countries. He often collaborates with specialized magazines in music and history.

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