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After The Americans, The Lines of My Hand is arguably Robert Frank´s most important book and without doubt the publication that established his autobiographical, sometimes confessional, approach to bookmaking. The book was originally published by Yugensha in Tokyo in 1972, and this new Steidl edition, made in close collaboration with Robert Frank, follows and updates the first US edition by Lustrum Press of 1972.

The Lines of My Hand is structured chronologically and presents selections from every stage of Frank´s work until 1972-from early photos in Switzerland in 1945-46, to images of his travels in Peru, Paris, Valencia, London and Wales, and to contact sheets from his 1955-56 journey through the US that resulted in The Americans and made him famous. Here too are intimate photos of Frank´s young family, later photo-collages and stills from films including Pull My Daisy (1959) and About Me: A Musical (1971). This structure itself mirrors the rhythm of Frank´s life but it is his short personal texts, like diary entries, that fully bring his voice into the book.

In its original combination of text and image, its fearless self-reflection, and its insistence on photography and film as equal though different aspects of the artist´s visual language, The Lines of My Hand has become an inspiration for many photographers-not least Robert Frank himself, who continues and expands this approach in the visual diaries he makes today.

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Robert Frank was born in Zurich in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in English in 1959, which gave rise to a distinctly new form of the photobook, and his experimental film Pull My Daisy (1959). Frank´s other important projects include the books Black White and Things (1954), The Lines of My Hand (1972) and the film Cocksucker Blues for the Rolling Stones (1972). He divides his time between New York City and Nova Scotia, Canada.

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