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In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.

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Sarah Dornhof (Dr.) is a postdoctoral fellow at Freie Universität Berlin. Nanne Buurman (M.A.) is a doctoral candidate in Art History at Freie Universität Berlin. Birgit Hopfener (Dr. phil.) is Associate Professor at Carleton University, Ottawa, CA. Barbara Lutz (Diploma) is a doctoral candidate in the Faculty of Arts, Aesthetics and Cultural Studies at University of Hildesheim.

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