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The author examines the reception of the German theater in Greece, a phenomenon that took place along with the process of establishing in Athens, in 1901 the Royal Theater. The multiple aesthetic, social and political forms of this phenomenon provided a "locus of contact" with the German culture.

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The author examines the vigorous reception of the German theater in Greece, a phenomenon that took place along with the process of establishing in Athens, in 1901 the Royal Theater. The multiple aesthetic, social and political forms of this phenomenon provided a "locus of contact" with the German culture and accomplished a function, regarded as the instrument for the development of the bourgeois theater in Greece. This happened through the work of theater practitioners and intellectuals, as well as through the transfer of institutions, theatrical plays, and scripts of direction instructions, decorations, and props. The performances staged were the iceberg in the process of this reception, as they provided a strategy toward the revitalization of the Greek theater, realized in a productive way.

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Reception of the German Theater during the 19 th century - Persians , Aeschylus - The Establishment of the Royal Theater in Athens - The Stage Director - Reception of German Drama - Developing a New Acting Style - Drayman Henschel , Gerhart Hauptmann - Oresteia , Aeschylus - The Winter´s Tale , William Shakespeare - Faust , Goethe

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Michalis Georgiou studied Theatrology at the National and Kapodistrian University of Athens. He received his PhD from the Institute of Theater Studies at the Freie Universität Berlin with scholarships awarded by the State Scholarships Foundation in Greece and the InterArt Studies, Freie Universität Berlin.

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